 Bronze Gold Plated |  Titanium, Buffalo, Bronze, Steel |  Luke Malewicz Eagle |
|---|---|---|
 Brass Silver Plated and Buffalo Horn |  Stainless Steel and Bronze Gold Plated |  Titanium |
 Titanium |  Bronze Silver Plated |  Damasteel |
 Bronze and Titanium |  Brass Silver and Gold Plated |  Buffalo Horn |
TROMBONE MOUTHPIECES
For Bass, Symphonic and Small Shank Trombones
Comparison Charts:
Small shank trombone mouthpieces
Large shank trombone mouthpieces
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TENOR MOUTHPIECES WITH SMALL or LARGE SHANK, with 6.0mm or 6.5mm THROAT
Available with Standard or V+ Cups
26.00mm
25.70mm
25.40mm
25.10mm
24.80mm
24.50mm
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SYMPHONIC MOUTHPIECES WITH LARGE SHANK and 7.2mm THROAT
XL = 27.20mm
VL = 26.80mm
L = 26.40mm
ML = 26.00mm
M =25.60mm
MS = 25.20mm
S = 24.80mm
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BASS TROMBONE MOUTHPIECES WITH LARGE SHANK and 8.0mm THROAT and a DEEP U SHAPED CUP
BVL = 28.80mm
BL = 28.40mm
BM = 28.00mm
BS = 27.60mm
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BACKBORES
Tenor Trombone: available in Small or Large Shank and with 6.0mm or 6.5mm throat
Small
Medium
Large
Symphonic Trombone: available with 7.2mm throat
GR0 72: tightest, good for soloists or for hard pieces for first trombones
GR1 72: for experienced first trombones
GR2 72: for second trombones or players looking for a fuller sound in the low register
GR3 72: for third trombones or players doubling on bass trombone
Bass Trombone: availabler with 8.0mm throat
GR0 80: for players who need to play in the high register from time to time
GR1 80: the all rounder
GR2 80: full deep sound
GR3 80: for the biggest sound on the low notes
You can choose parameters like the length of the cylindrical part of the throat, the average internal taper, the wall thickness at the end of the shank and so on.
If you desire a bigger sound or a faster and cleaner articulation, you are always covered.
And always with the world renown intonation and consistency of sound throughout the entire range of the instrument.
We don't like extremes with out cups and rims, we prefer offering "middle of the road" sizes adjusting the feel with a proper backbore and changing the curve going from the cup to the throat. Most of the mouthpieces we have analyzed employ a V shaped transition to the cup that offers no tone enhancements while making articulation and attacks a lot sloppier. We don't like that, we want your life to be easier so we designed an edgier transition to the throat. This makes articulation a lot easier and notes pop more.
Try them and you will understand why few weeks after we announced our trombone line principal players from major orchestras, L.A. studio legends, world renown jazz soloist switched to Resonance immediately!